Launching on 6 October 2022, Art on the Underground and Kerber Verlag present a new publication on the work of Alexandre da Cunha at Battersea Power Station, to celebrate one year on from the station’s opening.
Join us from 7pm on Thursday 6 October 2022 in the bookshop and café at Camden Art Centre, Arkwright Rd, London NW3 6DG.
Alexandre da Cunha will be in conversation with Lisa Blackmore, Senior Lecturer in Art History and Interdisciplinary Studies at the University of Essex, who has written on da Cunha’s work for this new publication.
Writer Rebecca Watson will read her creative response to the artwork, ‘That Pink’, which features in the book.
The book will be available for purchase at a special discounted rate, alongside drinks from Bar Bicicletta, with thanks to Thomas Dane Gallery. Free tickets are available via Eventbrite.
Brixton Oval, Coldharbour Lane, London SW2 1JG
Join us for an evening of films with Joy Labinjo in connection with her commission at Brixton Underground station, 5 more minutes.
Joy Labinjo has curated a selection of films from the Cinenova collection – a volunteer-run organisation preserving and distributing the work of feminist film and video makers. In connection with ‘5 more minutes’, the films explore ideas of Black Feminism, Black Visibility, community, girlhood and hair.
The programme will be introduced by Joy Labinjo and include readings and introductions from invited guests, including contributions from filmmaker Veronica Martel, Tracey Francis from Cinenova and Women in Film SE15 and from poet and writer Sarah Lasoye.
– The Haircut (10 mins) by Veronica Martel, 1992, UK
What starts as a row over the child’s haircut, develops to explore the wider social issues of the responsibilities of child rearing and childcare.
– Hairpiece (10mins) by Ayoka Chenzira, 1984, USA
Hairpiece is an animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels and curlers. Such rituals are all-too familiar to African American women-and indeed to all women confronted with an unattainable ideal of beauty.
– On the Inside by Sarah Lasoye
Sarah Lasoye is a poet and writer from London, as part of this event Sarah will read a piece of prose writing titled On the Inside, a response to Back Inside Herself by S. Pearl Sharp which explores internal conversations, cycles of retreat, rest and self-preservation. Commissioned by Cinenova as part of their 20221/22 programme The Work we Share. Sarah Lasoye is an alumna of the Barbican Young Poets programme and a current member of Octavia – Poetry Collective for Women of Colour. Her debut chapbook, Fovea / Ages Ago, was published by Hajar Press in April 2021.
– Back Inside Herself (4 mins) S.Pearl Sharp, 1984, USA
Described by the director as “a visual poem on identity”, Back Inside Herself shows a Black woman finding her own sense of self and rejecting hegemonic societal expectations of who she should be and how she should behave.
– And What Does Your Mother Do (10 mins) Cine Mujer, 1981, Colombia
AND WHAT DOES YOUR MOTHER DO? is a humorous film which cleverly uses the technique of speeded-up action, to expose basic inequalities built into the traditional family structure, which lay the bulk of responsibility and pressure on women.
155 Vauxhall Street
Join Alexandre da Cunha and Head of Art on the Underground Eleanor Pinfield in-conversation with Alessio Antoniolli, Director of Gasworks to discuss Alexandre’s permanent commission ‘Sunset, Sunrise, Sunset’ at Battersea Power Station, which was unveiled in September 2021.
Stretching 100m and 60m in length, the artwork incorporates two friezes that face each other along the length of the ticket hall. Made using an outdated advertising mechanism – the rotating billboard – Alexandre da Cunha has created a moving sculpture. The artwork was inspired by the former control room at Battersea Power Station and its system of vertical bars that regulated the production and output of electricity into the city. Bringing these resonances together with the daily flow of dawn to dusk, Sunset, Sunrise, Sunset refers to cycles, routine, the everyday and eternity.
Join us to hear about the conceptual basis of the work, the challenges of working within a major construction project and to discuss the impact of art in public spaces.
Nearest tube stations are Oval and Vauxhall.
Gasworks is not open to the public on Tuesdays so please ring the buzzer for entry.
Masks are required for the exhibition space at Gasworks and are strongly encouraged in the common spaces and the participation room. The talk will take place in a room ventilated via doors and windows. Please don’t attend if you are feeling unwell. Please consider taking a Lateral Flow Test before you join us.
In 2020, artist Lucy McKenzie’s most ambitious permanent public commission to date transformed the iconic Modernist station Sudbury Town. McKenzie’s work drew on historic advertisements of the inter-war period, held in the London Transport Museum archive. In April 2022, Lucy was joined by Fiona Orsini, Curator of RIBA Drawings & Archives Collections, to discuss how her Art on the Underground commission interacts with the history and architecture of the station, designed by Charles Holden in 1931.
Scroll to the bottom of the page to watch a recording of the event.
About the panellists
Lucy McKenzie (born Glasgow 1977, lives Brussels) is a visual artist whose installations explore the interplay between painting, style and value. She has exhibited her work around the world, including solo shows at Tate Britain, London in 2003, MoMA, New York in 2008, Stedelijk Museum, Amsterdam in 2013 and Fondazione Bevilacqua la Masa, Venice in 2017, and, together with designer Beca Lipscombe, produced fashion collections under the name Atelier E.B. Their exhibition, Atelier E.B: Passer-by, was staged at Serpentine, London in 2018, Lafayette Anticipations, Paris in 2019 and Garage, Moscow in 2020. In 2020 and 2021, McKenzie was the subject of a major touring exhibition held at Museum Brandhorst, Munich and Tate Liverpool.
Fiona Orsini is Curator at the RIBA Drawings & Archives Collections, based at the V&A. She has worked for the Royal Institute of British Architects since April 2006 and has curated a number of exhibitions at the V&A including Underground Journeys: Charles Holden’s designs for London Transport, Mind Over Matter: Contemporary British Engineering (with V&A colleagues Olivia Horsfall Turner & Anna White) and most recently Into the Blue: the origins and revival of pools, swimming baths and lidos (co-curated with RIBA colleague Susan Pugh), as well as contributing to V&A public programmes with presentations on ‘Charles Holden and 55 Broadway’ and ‘Metroland and Art Deco in the Suburbs’. She is currently co-authoring a book on the history of architectural drawings.
Red Room and Banqueting Suite
Chelsea College of Arts
Study Day | 12:30 – 17:30
Red Room, Chelsea College of Arts
Tickets: £5 including lunch | Limited capacity and booking essential
In Conversation: Denzil Forrester and Kimathi Donkor
18:00 – 19:00
Banqueting Suite, Chelsea College of Arts
Free: booking recommended
For nearly four decades, Denzil Forrester has evolved as a painter who experiments with light, colour and gesture, creating works that are rooted in the physicality and emotional resonance of lived experience, and which seek to evoke a sense of time, place and community.
In September 2019 Art on the Underground invited Forrester to create his first major public commission for Brixton Station. For this Forrester reinterpreted his seminal work ‘Three Wicked Men’ (1982), now in the Tate collection, into an immersive, large-scale painting.
Join Linder in-conversation with Art on the Underground Curator Kiera Blakey to discuss her recent public commission ‘The Bower of Bliss’ at Southwark station.
The commission, an 85 metre billboard, manifests at Southwark station in the histories, myths and fables of the many women Linder uncovered while artist-in-residence in Southwark. From Londinium sex workers in AD 43; to an 1815 illustration of the Night Queen from Mozart’s opera ‘The Magic Flute’ inspiration for the station architects; to the women who run London Underground today, Linder’s photomontage reclaims the representation of women from the male gaze to form a picture of empowerment for women everywhere.
Linder has been working with photomontage for the past three decades, created from images lifted from erotic, women’s fashion and domestic magazines. The photomontages manipulate and disrupt to challenge cultural expectations of women and in particular the female body as commodity.
In collaboration with Art on the Underground and Royal College of Art.
As part of Denzil Forrester’s forthcoming UK public commission with Art on the Underground join the artist and Matthew Higgs, Director of White Columns in New York for a lively discussion on the artist’s practice, teaching and inspirations.
For nearly four decades, Forrester’s paintings have been rooted in, and provide commentary on, the Afro-Caribbean experience in London. Pulsating with rhythm and an extraordinary use of colour, Forrester’s expressive depictions of dance halls and clubs captured the crowds moving in unison to the beat of the music. In contrast to the joy of his night-time revellers, Forrester concurrently created a series of works which subliminally revealed the rising tensions between police and the Afro-Caribbean community during the late 1970s and early 80s, which culminated in the 1981 Brixton Riots.
Through his energetic paintings, Forrester continues to make work about the past and present aspects of his life. For this commission, the artist has reinterpreted his seminal work Three Wicked Men (1982), now in the collection of Tate, London, into an immersive, large-scale painting. Made during his time at the Royal College of Art, Forrester has returned to Three Wicked Men several times over the decades. The title was borrowed from a track by Reggae George, released a year earlier, in which Forrester identifies the three men as a policeman, a politician and a businessman. In Forrester’s painted versions, the latter figure is often replaced by a Rasta. Reflective of the contemporary black experience and the racial tensions of the time, the painting features Winston Rose; a friend of Forrester’s who died whilst under police restraint in 1981 and which would continue to haunt many of his paintings for the next decade.
Forrester is the third commission in a new series at Brixton, following on from Njideka Akunyili Crosby in 2018 and Aliza Nisenbaum in 2019. The programme selects artists to respond to the diverse narratives of the murals from the 1980s, the rapid development of the area and the wider social and political history of mural making.
Tour starts outside Brixton Underground Station
Come and listen to local historian and Blue Badge Guide Kelly Foster as she explores the memorialisation and portraiture in Brixton’s public art. From familiar sculptures to the lost murals she’ll look at who has been commemorated on the streets of Brixton and the artists that created them.