Black Blossoms x Art on the Underground Course IIII: Endurance: A Vision of Resilience in a Precarious World

A free online course which responds to Shanti Panchal's Art on the Underground commission

Endurance: A Vision of Resilience in a Precarious World is a new four week course from Black Blossoms and Art on the Underground expanding on the work of artist Shanti Panchal and his artwork for Brixton Underground station. The course will explore how images of resilient communities can intersect with hostile political landscapes. Participants will learn about artist Shanti Panchal’s painting practice and the key themes of interdependency and exile which underpin his work.

The course will also discuss Shanti Panchal’s mural in Shadwell from 1984 commissioned by the Greater London Council (GLC) as part of its Anti-Racist Mural Programme. Thinking through the history and context for mural making particularly in London.

Endurance: A Vision of Resilience in a Precarious World is taught by Curator and Writer Amrita Dhallu and responds to Shanti Panchal’s 2022 Art on the Underground commission, ‘Endurance’, a community portrait which observes our continued resilience and reliance on each other.

Tuesday 26 September 2022 – 24 October 2022 (please note there will be a break on 10 October)

Time: 6.30-7:45pm

Free. Online. Book here.

Courses were delivered live on Zoom and to create an interactive teaching environment, learning material was provided to registered participants prior to each class. Participants can access the learning platform on the Black Blossom’s website which includes the recordings of the live lectures and learning material for 90 days after the last live class.

For full information on the weekly sessions and to access learning material, please visit Black Blossoms’ website here.

Educator: Amrita Dhallu 

Amrita Dhallu is a curator and researcher based in London. She provides support structures for emerging British artists through commissioning, editorial projects, creating artistic networks and intergenerational learning spaces. Her current research examines ‘care’, spatial politics and ethno-futurist discourse within exhibition-making. She is Assistant Curator, International Art at Tate Modern, London, where she co-curated Lubaina Himid’s monographic exhibition (2021-2) and worked on projects such as Rasheed Araeen’s Zero to Infinity (2023) and Hilma af Klint and Piet Mondrian: Forms of Life (2023).