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Sarah Morris, Big Ben [2012], 2012. Gloucester Road station 
Photograph: Thierry Bal
Sarah Morris, Big Ben [2012], 2012. Gloucester Road station 
Photograph: Thierry Bal
Sarah Morris, Big Ben [2012], 2012. Gloucester Road station 
Photograph: Thierry Bal
Sarah Morris, Big Ben [2012], 2012. Gloucester Road station 
Photograph: Thierry Bal
Sarah Morris, Big Ben [2012], 2012 
Courtesy Sarah Morris and White Cube

Big Ben [2012]

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In conversation

20 June 2012
6:30 pm - 9:00 pm


Art on the Underground invites you to celebrate the launch of

Big Ben [2012]
Sarah Morris
A new artwork for Gloucester Road Underground station


Wednesday 20 June 2012, 6.30 - 9pm
7pm Sarah Morris in conversation with Ossian Ward, Visual Arts Editor, Time Out London

Free but places limited, booking essential.
Pay bar.
Contact us if you have any access requirements.

art@tube.tfl.gov.uk
020 7027 8694
art.tfl.gov.uk

Venue
The Science Museum's Dana Centre
165 Queen's Gate
London SW7 5HD
Map 

Read more about this project

Event in collaboration with the Science Museum's Contemporary Art Programme.

With kind support from White Cube.
See all events

Visiting Information

See the Visit page for details of accessing this station

11 Jun 2012

Sarah Morris

Big Ben [2012]

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International artist Sarah Morris has been invited by Art on the Underground to create the twelfth commission at Gloucester Road. Big Ben [2012] is a site-specific response to the architecture of the station and the city of London. Spanning eighteen arches across the entire length of the disused platform, this dynamic work is an evolving spectrum of colour and geometry that invites the viewer to reflect upon both London’s past and its future.

Morris has developed the work from her painting of the same title, created for an official London 2012 Paralympic poster. Using the structure of Big Ben as a point of departure, she references this London architectural icon and its history, ironically with an anti-authoritarian slant: no-one can control the politics of the future, the work suggests. Time and movement are also explored, concepts that become all the more poignant in the context of the Underground as well as the London 2012 Olympic and Paralympic Games.

Big Ben [2012] is a streamlined image of time and the production of a painting. Morris strips the image bare, playing with colour within a sequence of compositions and creating the image through a build-up of fragments. This progression not only recalls the countdown to a spectacle or event, but also parallels the way in which a train pulls in and out of the station.

Since the mid-1990s, Morris has been making complex abstractions in both painting and film. This is the first time that she has produced a work taking London as its subject. Her paintings can be described as portraits of cities, referencing their psychology, architectural motifs and geography. Observations into a given city’s ‘cultural, commercial and political configurations’ result in a new self-referential system and a unique colour palette, which work counter to the contemporary notion of the homogenised global metropolis. The idea of travel and the commuter, public pathways and their corresponding diagrams throughout the city are also sources of ongoing fascination for Morris, as demonstrated in her films, with subway stations featuring in works such as Midtown (1998), Beijing (2008) and Chicago (2011).

Big Ben [2012] is equivalent to the scenario for a virtual film. A backdrop to real life, the work engages with Morris’s conception of the city as a constellation of non-linear narratives. ‘It is in these transient spaces that you can see the stories of the inhabitants of a particular city, a veritable stage where people congregate, en route to their next destination.’

Sarah Morris was born in 1967 in the UK and grew up in Providence, Rhode Island, USA. She lives and works in New York and London, and has participated in many important exhibitions such as the 25th São Paolo Biennial (2002) and ‘Days Like These’, Tate Triennial (2003). Solo exhibitions include Nationalgalerie im Hamburger Bahnhof, Berlin (2001), Moderna Museet, Stockholm (2005), and MMK, Frankfurt (2009).

Event - 20 June 2012

Sarah Morris will be in-conversation with Ossian Ward, Visual Art Editor, Time Out London to mark the launch of the Gloucester Road Commission.
Read more....

Further information

Sarah Morris is represented by White Cube

Find out more about the London 2012 Festival Official Artists Posters

Read about Art on the Underground's previous Gloucester Road commissions

Artists
Sarah Morris




Comments from the public


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Comment posted by Tomas Savkanic, 04 Aug 2012

Splendid exhibition that brings art into everyday life. I work at Gloucester Road and I'm glad I can enjoy these beautiful images every day. Sarah Morris is obviously very talented artist and I hope to see more of her amazing artwork throughout London. Thank you for brightening my days.

Comment posted by sia sumana, 12 Jul 2012

Just beautiful.

Comment posted by Gerald Cohen, 15 Jun 2012

This is an attractive series that brightens up a rather dull station. Let's hope that when this exhibition ends, something equally eye-catching replaces it.

Comment posted by Arthur, 13 Jun 2012

Individually each piece looks great, collectively at the station they look amazing!



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